Additional effects are also provided and along with the original ARP sequencer, they form an exciting new virtual synthesizer. Four revolutionary tracking generators add sound design possibilites that have never been seen before. But that's not all: behind the speakers panels are hidden innovative features that take the initial design of the ARP 2600 to a new level. In addition to the original functions, MIDI control, polyphony, and the ability to create, save and recall presets are all provided. With the ARP2600 V, Arturia brings this powerfull analog synthesizer back to life. The ARP2600 benefited from its third and last version. In 1978 ARP decided to change the graphic chart for all of its machines: a black background color with orange silk screening was introduced. The “blue meanie” was quickly replaced by a second version, with a grey background finish and white silk screening (1972). In ten years, three versions of the ARP 2600 were commercialized: The first version was called “Blue meanie” because of its steely blue finish. ARP was the market leader in synthesizers during the 70’s with around 40% of the market share. The ARP 2600 was notably used by Stevie Wonder, Joe Zawinul (Weather Report), Tony Banks (Genesis), Jean-Michel Jarre, Herbie Hancock. This semi-modular synthesizer, conceived with an educational goal, was to become hugely successful after a shaky start. The growth of ARP instruments was fast and in 1972 the ARP 2600, probably the most legendary of the entire range, was unveiled. The ARP 2500 found success in American universities. The machine used a matrix which connected the different sections of the synthesizer, instead of the traditional cables found in the Moog Modulars. The company, based in Newton Highlands (Massachusetts, USA), conceived electronic products, but also and above all else a large modular synthesizer, the ARP 2500. In 1969, he created ARP Instruments (originally called Tonus Inc.) with David Friend and Lewis G. This was a means for him to associate his two passions: electronic music and the piano. Pearlman, whose initials would form the name of ARP Instruments, became interested in instruments for electronic music as early as 1948, when he was a student at the Worcester Polytechnic Institute. Due to this approach users can use the system simply while creating some of the wildest and most musically expressive analog sounds ever!Īlan R. The ARP 2600 can be operated with or without patchcords since all of the functions are internally wired and can be controlled via sliders and switches. Celebrated by the most respected musicians over the last thirty years, it is capable of creating amazing sounds thanks to the exclusive ARP technologie. Just Can’t Get Enough? Get this.The ARP2600 is one of the finest analog synthesizers ever made. Treat yourself to a little bit of history, and experience the early Depeche Mode classics in first person. Thanks to Arturia’s recreation, you too can enjoy every superb synth sound from this groundbreaking album. It’s versatile sound and parameters let it not only create bass and melodic sequences, but also drum sounds, including the fabled Depeche Mode kick. The ARP 2600 was an essential part of the album’s sound, and was used to sequence practically every other synth on the record. Consequently, it had a much brighter, electro-pop theme than their later work. “Speak and Spell” was the only Depeche Mode album to feature Vince Clarke, who would later mastermind Yazoo and Erasure, on songwriting and synth duties. Arturia presets | 74 kB Exploring the power behind Arturia’s ARP 2600 V, these 32 presets recreate some of the most iconic sonic signatures of Depeche Mode’s first album.
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